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LC/PJ-SI-41-A Advocate Chair by Pierre Jeanneret & Le Corbusier, 1950s

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  • LC/PJ-SI-41-A Advocate Chair by Pierre Jeanneret & Le Corbusier, 1950s 1
  • LC/PJ-SI-41-A Advocate Chair by Pierre Jeanneret & Le Corbusier, 1950s 2
  • LC/PJ-SI-41-A Advocate Chair by Pierre Jeanneret & Le Corbusier, 1950s 3
  • LC/PJ-SI-41-A Advocate Chair by Pierre Jeanneret & Le Corbusier, 1950s 4
  • LC/PJ-SI-41-A Advocate Chair by Pierre Jeanneret & Le Corbusier, 1950s 5
  • LC/PJ-SI-41-A Advocate Chair by Pierre Jeanneret & Le Corbusier, 1950s 6

The seller assumes all responsibility for this listing.

About This Piece

Vintage Design

Here the silhouette is strong. It is presented through the outline and shape of the piece. The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. Its powerful presence exudes a regal energy akin to that of a throne, conveying a sense of strength and firmness. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. The upholstery is redone in a traditional way. As foam was used for the original seat, we upholstered it accordingly. Unlike the initial upholstery of Chandigarh items in skai, this has been redone in high-end black vintage leather. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them strong, serious, touch. As a chair, it is usable for dining and working, supporting the back nicely. The upholstered pieces offer comfort in a joyful manner, while firmly framing the user/occupant within. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 567-8. Edition Galerie Patrick Seguin, 'Le Corbusier, Pierre Jeanneret: Chandigarh, India' (Paris: Galerie Patrick Seguin, 2014), 282.

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Pierre Jeanneret, Le Corbusier
Design Period 1950 to 1959
Production Period 1950 to 1959
Country of Manufacture India
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Vintage
Detailed Condition Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Restoration and Damage Details
Light wear consistent with age and use, Patina consistent with age and use, Reupholstered, Completely restored, Surface has been refinished
Product Code BDC-1972357
Materials Leather, Teak, Upholstery
Color Black, brown
Width 68 cm 26.8 inch
Depth 62 cm 24.4 inch
Height 87 cm 34.3 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Switzerland
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within fourteen days of delivery, except for Made-to-order items

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Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

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Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Product Safety Information

EU Responsible Person Published before Dec 13th 2024

About the Designers

Pierre Jeanneret

Pierre Jeanneret

Born in Geneva in 1896, Swiss painter, architect, and designer Pierre Jeanneret studied architecture at the École des Beaux-Arts. After graduating in 1921, he worked in the Parisian architectural office of the Perret brothers, pioneers in the use of reinforced concrete. By 1923, he had set up an architectural practice in Paris with his cousin, Le Corbusier (1887-1965). The two worked side-by-side throughout their prolific careers, and Jeanneret's contribution to the partnership has become increasingly recognized. Their pivotal, 1926 manifesto, Five Points Towards a New Architecture, is considered to be a pillar of modernist thought and the intellectual foundation of their legendary work. Both architects were members of the Union des Artistes Modernes (UAM). Around the years of World War II, the partnership between Jeanneret and his cousin was interrupted; Jeanneret joined the French resistance, while Le Corbusier did not.

Between 1927 to 1940, Jeanneret and Le Corbusier collaborated with French designer Charlotte Perriand (1903-1999). Together the group created a number of now-iconic furniture designs, which were characterized by minimalist, geometric forms fabricated in industrial materials like tubular steel. Important designs that emerged from this collaboration include the LC4 Chaise Lounge (1928) and the Fauteuil Grand Confort seating collection (1928). Both designs were put into production by Thonet in 1930 and by Cassina in 1965.

After World War II, Jeanneret and Perriand teamed up with French designer Jean Prouvé to develop pre-fab housing concepts, including the town planning of Puteaux, France.

One of Jeanneret’s most enduring solo works is his Scissor Chair, which was designed in 1947 and manufactured by Knoll between 1948 and 1966. It features a simple, maple wood structure hinged together by circular brass struts and topped with two upholstered cushions.

In 1950, Le Corbusier suggested reforming their partnership to execute the master plan for Chandigarh, the capital of the Indian state of Punjab. Jeanneret lived on location and presided over the project. He assimilated the Indian building tradition with the architectural and technical solutions he formulated with his cousin. He stayed in Chandigarh for fifteen years, and the city evolved into a landmark of modernist architecture. Many of Jeanneret's most sought-after furniture designs were created for office interiors in Chandigarh.

Jeanneret died in Lausanne in 1967; in accordance with his wishes, his ashes were scattered on the Sukhna Lake in Chandigarh, India.

Le Corbusier

Le Corbusier

Born in Switzerland in 1887 as Charles-Édouard Jeanneret, Le Corbusier was an architect, urban planner, painter, writer, designer, and theorist who lived and worked primarily in France. In 1900, he began to study at the École d'Art in La Chaux-de-Fonds, Switzerland, as an engraver and goldsmith, expanding his studies in 1904 to include architecture. Among his influential early teachers were Auguste Perret, Jose Hoffman, and architect Peter Behrens. During World War I, Le Corbusier taught at his old school in La Chaux-de-Fonds. After the war, he returned to Paris and worked on concrete structures for the government while focusing most of his energy on painting.

In 1919, Le Corbusier and painter Amédée Ozenfant—cofounders of the Purism movement—launched the art magazine L’Esprit Nouveau (the Le Corbusier pseudonym was officially adopted in its first issue). The magazine presented Le Corbusier’s ideas on modern architecture, which were based on a philosophy of harmony and proportion. In 1922, he and his cousin Pierre Jeanneret opened a studio in Paris, a partnership that lasted until 1940. The pair began to experiment with furniture design after architect Charlotte Perriand joined the studio in 1928. In his design, architecture, and artwork, Le Corbusier embraced elemental geometric forms. In 1943, he developed Modulor, a system of proportions based on the male figure and the golden ratio, which was used to determine the proportions of units in architecture and technology. This also served as the basis for his furniture design.

After World War II, Le Corbusier sought efficient ways to house large numbers of people in response to the housing crisis. His most notable housing unit was the Unité d'Habitation of Marseilles (1946–52). He was also a founding member of the Congrès International d'Architecture Moderne (CIAM). During the 1950s, he was presented the unique opportunity to translate his vision on a large scale with the construction of the newly founded capital city of Chandigarh, India.

A leading 20th-century modern architect, Le Corbusier pioneered the International style, working primarily with steel and reinforced concrete. His buildings were constructed across central Europe, India, and Russia, and one each in North and South America. Arguably, his most notable works are the Weissenhof Settlement in Stuttgart (1927) and Villa Savoye (1929–31). In 1961, he was awarded the Frank P. Brown Medal and the AIA Gold Medal. In 1964, Milan’s Cassina S.p.A. acquired exclusive worldwide rights to manufacture his furniture designs.

Le Corbusier died in August 1965.

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